Add this copy of Alvar Aalto the Early Years to cart. $141.49, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 1984 by Rizzoli.
Add this copy of Alvar Aalto the Early Years to cart. $170.98, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Santa Clarita, CA, UNITED STATES, published 1984 by Rizzoli.
Add this copy of Alvar Aalto; the Early Years to cart. $175.00, good condition, Sold by Ground Zero Books, Ltd. rated 4.0 out of 5 stars, ships from Silver Spring, MD, UNITED STATES, published 1984 by Rizzoli.
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Seller's Description:
Good in Fair jacket. 292, [4] pages. Illustrations (some in color). The dust jacket has wear, tears, scuffs, chips and soiling. Describes the childhood and education of the great Finnish architect, looks at his first designs, and identifies central themes in his work. The chapter titles are My Starting Points, Knights of the White Table, School Years in Jyvaskyla, Student and Apprentice, The Office in Jyvaskyla, Central Themes in Aalto's Work, and List of Works between 1912 and 1927. Göran Schildt (11 March 1917 – 24 January 2009) was a Finnish Swede author and art historian. Schildt is perhaps best known for his travelogues with the sailboat Daphne. He made the decision to become a Mediterranean sailor after being seriously injured during the Finnish Winter War and forced to spend a year and a half in hospital The architect Alvar Aalto was one of the guests at Daphne and their lifelong friendship was the basis for Schildt's masterpiece, the three-part biography of Aalto. Schildt went to school at the Nya Svenska Läroverket [sv] in Helsinki. He received his doctorate in philosophy with a dissertation on the painter Cezanne and also studied languages at the Sorbonne in Paris. He moved to Sweden in 1945 and was an employee of Svenska Dagbladet 1951–1990. Schildt has written at least 30 publications in Swedish. Hugo Alvar Henrik Aalto (3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards. His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern, an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood. As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson. The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä. The entry for him on the Museum of Modern Art online presence notes his "remarkable synthesis of romantic and pragmatic ideas, " adding "His work reflects a deep desire to humanize architecture through an unorthodox handling of form and materials that was both rational and intuitive. Influenced by the so-called International Style modernism (or functionalism, as it was called in Finland) and his acquaintance with leading modernists in Europe, including Swedish architect Erik Gunnar Asplund and many of the artists and architects associated with the Bauhaus, Aalto created designs that had a profound impact on the trajectory of modernism before and after World War II."