Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for ...
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Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.
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Add this copy of Composing for the Red Screen: Prokofiev and Soviet Film to cart. $25.00, very good condition, Sold by Printed Garden, Booksellers rated 3.0 out of 5 stars, ships from Sandy, UT, UNITED STATES, published 2013 by Oxford University Press.
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VG+ in NF jacket. Octavo. Bright red boards and spine with shiny gilt lettering on the spine. Book has a light bumping at the head and tail of the spine. White endpapers. Book might have been NF grade, but the binding is slightly stretched at the title page, as if someone held the book down on a photocopyer. Binding still straight and tight. Pages are clean, white, and crisp. 228 pages. Dust Jacket-has a faint wrinkle at the head of the spine-mostly visible when the book is held at a certain angle-and a nearly unnoticable trace of rubbing at the extreme tip of the upper front outside corner-jacket otherwise sharp. Nice copy. Not terribly common.
Add this copy of Composing for the Red Screen: Prokofiev and Soviet Film to cart. $33.15, good condition, Sold by HPB-Red rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2013 by Oxford University Press.
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Add this copy of Composing for the Red Screen: Prokofiev and Soviet Film to cart. $43.77, very good condition, Sold by ThriftBooks-Dallas rated 5.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2014 by Oxford University Press.
Add this copy of Composing for the Red Screen: Prokofiev and Soviet Film to cart. $43.80, like new condition, Sold by GreatBookPrices rated 4.0 out of 5 stars, ships from Columbia, MD, UNITED STATES, published 2014 by Oxford University Press Inc.
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