In the last fifty years, the quest for authenticity, for the 'real', has become a dominant factor in musical taste - whether it be the folklorist's search for forgotten bluesmen, the rock critic's elevation of raw power over sophistication, or the importance of bullet wounds to the careers of hip-hop artists such as 50 Cent. "Faking It" explodes the myth of what it means to be 'real' and 'fake' in pop music. From 30s blues singer Leadbelly to Moby's use of his singing over half a century later, the appropriation of black ...
Read More
In the last fifty years, the quest for authenticity, for the 'real', has become a dominant factor in musical taste - whether it be the folklorist's search for forgotten bluesmen, the rock critic's elevation of raw power over sophistication, or the importance of bullet wounds to the careers of hip-hop artists such as 50 Cent. "Faking It" explodes the myth of what it means to be 'real' and 'fake' in pop music. From 30s blues singer Leadbelly to Moby's use of his singing over half a century later, the appropriation of black music by a predominantly white musical fanbase, Pop Idol, the fact that no one in Cuba listens to Buena Vista Social Club to Kurt Cobain's suicide note and the fear it expressed of 'faking it'.
Read Less
Add this copy of Faking It: the Quest for Authenticity in Popular Music to cart. $213.87, new condition, Sold by Just one more Chapter rated 3.0 out of 5 stars, ships from Miramar, FL, UNITED STATES, published 2007 by Faber and Faber.
