Cybele's Klavierwerke um den Russichen Futurismus, Vol. 1 (Piano Works during and after Russian Futurism), provides a generous perspective on some of the least-known figures associated with the movement of Russian Futurism; pioneer microtonalist Ivan Vïshnegradsky (who is pictured on the front cover), foremost exponent of Boris Yavorsky's theory of modal rhythm Sergey Protopopov and Nicolas Obukhov, an electronic instrument builder and developer of a parallel system of twelve-tone organization independent from Arnold ...
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Cybele's Klavierwerke um den Russichen Futurismus, Vol. 1 (Piano Works during and after Russian Futurism), provides a generous perspective on some of the least-known figures associated with the movement of Russian Futurism; pioneer microtonalist Ivan Vïshnegradsky (who is pictured on the front cover), foremost exponent of Boris Yavorsky's theory of modal rhythm Sergey Protopopov and Nicolas Obukhov, an electronic instrument builder and developer of a parallel system of twelve-tone organization independent from Arnold Schoenberg. What these three gentlemen share is an admiration of Scriabin and they are, in posterity, regarded as having a loose alignment to the "Russian futurist" ideal; they all sincerely believed their innovative ideas would become recognized as opening the door to the music of the future. To a small extent, Vïshnegradsky would be the only one of these musicians to gain a small measure of recognition in his own lifetime, at the very end of his life; the others remain completely...
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Add this copy of Piano Works During & After Russian Futurism 1 to cart. $9.10, very good condition, Sold by HPB-Diamond rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 2009 by Cybele Records.
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