Excerpt from Publications of the Modern Language Association of America, Vol. 16 From this cursory history Of Opinion it will be seen that critics of to-day, with half-a-dozen exceptions, are inclined to believe that Shakspere had no hand whatever in Titus Andronicus, or, - what for our purposes will amount to the same thing, - to hold that he is responsible for only a few scattered passages; and further, that those who do accept the play, relegate it to the colorless period of what has been termed Shakspere's ...
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Excerpt from Publications of the Modern Language Association of America, Vol. 16 From this cursory history Of Opinion it will be seen that critics of to-day, with half-a-dozen exceptions, are inclined to believe that Shakspere had no hand whatever in Titus Andronicus, or, - what for our purposes will amount to the same thing, - to hold that he is responsible for only a few scattered passages; and further, that those who do accept the play, relegate it to the colorless period of what has been termed Shakspere's apprenticeship. Moreover, we are forced to admit that the contention as to authorship can never be decided on purely aesthetic grounds, nor yet from external evidence alone, since, as we have seen, this in a measure contradicts itself. Obviously then, agreement can only come from more definite knowledge of the origin of the play, -for example, of its sources. If we could only discover them, we Should then be admitted to the author's workshop, - and there is surely no better place to study his identity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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