Excerpt from Stained Glass: Of the Middle Ages in England and France The work of the countries and period I have chosen is of course the most important of all. There is beauty, it is true, in much Renaissance work (only a prig could resist the gaiety and charm of the windows of St. Vincent at Rouen), but it is for the most part beauty achieved in spite of, and not through, the material. There is beautiful mediaeval work in Germany and Italy, but the Germans, till the Renaissance, clung to a rather lifeless and archaic ...
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Excerpt from Stained Glass: Of the Middle Ages in England and France The work of the countries and period I have chosen is of course the most important of all. There is beauty, it is true, in much Renaissance work (only a prig could resist the gaiety and charm of the windows of St. Vincent at Rouen), but it is for the most part beauty achieved in spite of, and not through, the material. There is beautiful mediaeval work in Germany and Italy, but the Germans, till the Renaissance, clung to a rather lifeless and archaic convention, and the Italians were hampered by their greater knowledge of painting. The art has found its noblest expression in the work of the great school which for nearly the whole of the Middle Ages was common to France and England. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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