What is Presence? It's more than a look. It's a feeling. It's the invisible force that makes an audience unable to look away. It's a gravitational pull. And its source is a masterful understanding of Status. The Gravity of Presence takes you on a deep dive into the psychology of power and its application to the actor's craft. This is not a book of simple tips and tricks; it is a sophisticated, nuanced exploration of the core principles that separate the good actor from the great one. It reveals how the subtle, often ...
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What is Presence? It's more than a look. It's a feeling. It's the invisible force that makes an audience unable to look away. It's a gravitational pull. And its source is a masterful understanding of Status. The Gravity of Presence takes you on a deep dive into the psychology of power and its application to the actor's craft. This is not a book of simple tips and tricks; it is a sophisticated, nuanced exploration of the core principles that separate the good actor from the great one. It reveals how the subtle, often unconscious, negotiations of status are the key to creating characters that feel deeply, authentically human. For the serious actor dedicated to their craft, this book offers a new framework for character creation, moving beyond surface-level emotion and into the very physics of human interaction. Through this guide, you will achieve a new level of craft by learning: The Core of Command: Why stillness, economy of movement, and the masterful use of silence are the true hallmarks of high status and powerful presence. The Psychology of the Pecking Order: A deep dive into group dynamics, from the "human triangle" to the politics of the pack, allowing you to navigate complex ensemble scenes with precision. The Art of Contradiction: How to build characters with shocking depth by exploring the conflict between their inner self-perception and their outer social standing. The Nuance of Culture: An essential guide to understanding how status signals change across cultures, enabling you to create portrayals that are authentic and respectful. The Subtextual Battlefield: Move beyond the lines and learn to play the real scene-the unspoken war of status being waged in every pause and every glance. If you are ready to move beyond imitation and into true character embodiment, this book is your guide. Add The Gravity of Presence to your cart and begin the most important work of your career. Explore the Depths of the Craft... The Gravity of Presence is for the actor who isn't satisfied with just "getting the job." It's for the artist who wants to understand the 'why' behind every choice. It connects the dots between psychology, physicality, and performance, offering a unified theory of character that will change how you see the stage, the script, and the world. An excerpt on the 'Dignified Subordinate': "This is a character in a low-status role who is subservient, but they are not submissive. They obey, but they do not grovel. Their posture is perfect, their gaze is level, and their quiet self-possession can be deeply unnerving to their superiors. They may say 'Yes, sir, ' but their subtext says, 'I am doing my job, but you do not own me.' This character often becomes the moral center of the story."'" An excerpt on the central metaphor: "Presence is a force, like gravity. It is the result of a character's internal mass-their history, their self-worth, their objectives. A high-status character has immense internal mass; they bend the space and time of the scene around them. Others fall into their orbit. A low-status character has little mass; they are pulled and buffeted by the gravitational forces of others. Your work is to build that internal mass so truthfully that the audience can feel its pull."'" This is the next level of your training. It's time to stop performing and start embodying.
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Add this copy of The Gravity of Presence: How Actors Use Status to to cart. $12.07, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2025 by Independently Published.
