An excerpt from the INTRODUCTION: WITHOUT symbolism there can be no literature; indeed, not even language. What are words themselves but symbols, almost as arbitrary as the letters which compose them, mere sounds of the voice to which we have agreed to give certain significations, as we have agreed to translate these sounds by those combinations of letters? Symbolism began with the first words uttered by the first man, as he named every living thing; or before them, in heaven, when God named the world into being. And we ...
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An excerpt from the INTRODUCTION: WITHOUT symbolism there can be no literature; indeed, not even language. What are words themselves but symbols, almost as arbitrary as the letters which compose them, mere sounds of the voice to which we have agreed to give certain significations, as we have agreed to translate these sounds by those combinations of letters? Symbolism began with the first words uttered by the first man, as he named every living thing; or before them, in heaven, when God named the world into being. And we see, in these beginnings, precisely what Symbolism in literature really is: a form of expression, at the best but approximate, essentially but arbitrary, until it has obtained the force of a convention, for an unseen reality apprehended by the consciousness. It is sometimes permitted to us to hope that our convention is indeed the reflection rather than merely the sign of that unseen reality. We have done much if we have found a recognisable sign. "A symbol," says Comte Goblet d'Alviella, in his book on The Migration of Symbols , "might be defined as a representation which does not aim at being a reproduction." Originally, as he points out, used by the Greeks to denote "the two halves of the tablet they divided between themselves as a pledge of hospitality," it came to be used of every sign, formula, or rite by which those initiated in any mystery made themselves secretly known to one another. Gradually the word extended its meaning, until it came to denote every conventional representation of idea by form, of the unseen by the visible. "In a Symbol," says Carlyle, "there is concealment and yet revelation: hence therefore, by Silence and by Speech acting together, comes a double significance." And, in that fine chapter of Sartor Resartus , he goes further, vindicating for the word its full value: "In the Symbol proper, what we can call a Symbol, there is ever, more or less distinctly and directly, some embodiment and revelation of the Infinite; the Infinite is made to blend itself with the Finite, to stand visible, and as it were, attainable there." It is in such a sense as this that the word Symbolism has been used to describe a movement which, during the last generation, has profoundly influenced the course of French literature. All such words, used of anything so living, variable, and irresponsible as literature, are, as symbols themselves must so often be, mere compromises, mere indications. Symbolism, as seen in the writers of our day, would have no value if it were not seen also, under one disguise or another, in every great imaginative writer. What distinguishes the Symbolism of our day from the Symbolism of the past is that it has now become conscious of itself, in a sense in which it was unconscious even in G???rard de Nerval, to whom I trace the particular origin of the literature which I call Symbolist, The forces which mould the thought of men change, or men's resistance to them slackens; with the change of men's thought comes a change of literature, alike in its inmost essence and in its outward form: after the world has starved its soul long enough in the contemplation and the re-arrangement of material things, comes the turn of the soul; and with it comes the literature of which I write in this volume, a literature in which the visible world is no longer a reality, and the unseen world no longer a dream.
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Add this copy of The Symbolist Movement in Literature to cart. $12.00, very good condition, Sold by Voyageur Book Shop rated 4.0 out of 5 stars, ships from Milwaukee, WI, UNITED STATES, published 1958 by E. P. Dutton.
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Good+ Book Very slight cover wear. A few pgs only have some notations. Sticker on spine. Nice, tight copy. This fascinating book...is a pioneering study of great historical importance, the first book in English to analyze the theory and practice of the French symbolists...thus introducing this radical group of writers to English and American readers. Without symbolism there can be no literature; indeed, not even language. Words themselves are symbols. Symbolism began with the first words uttered by the first man as he named every living thing. In a symbol there is concealment, yet revelation. All of these have greatly contributed to our understanding of symbolism.
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Add this copy of The Symbolist Movement in Literature to cart. $23.39, very good condition, Sold by Devils In The Detail Ltd rated 5.0 out of 5 stars, ships from Oxford, OXFORDSHIRE, UNITED KINGDOM, published 2007 by Book Jungle.
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Very Good. Picture shown is for Illustration purposes only, please see below for further details CONDITION-VERY GOOD light wear and scuff marks to cover, pages in nice condition, shipped from the UK. Trade paperback (US). Glued binding. 444 p.
Add this copy of The Symbolist Movement in Literature to cart. $24.01, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2014 by Literary Licensing, LLC.
