Del policial cl�sico al post-neopolicial: La est�tica del crimen en la narrativa mexicana, 1940-2020 is a comprehensive study of Mexican crime fiction from cultural, gender, social, political, and literary perspectives. This book covers the different phases Mexican crime fiction has evolved through in the past eighty years: classical detective fiction (1940-1960s), g�nero negro (1970s), neopolicial (1980-2000), narconarrative (1990s to the present), and post-neopolicial (2000 to the present). The first half of the ...
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Del policial cl�sico al post-neopolicial: La est�tica del crimen en la narrativa mexicana, 1940-2020 is a comprehensive study of Mexican crime fiction from cultural, gender, social, political, and literary perspectives. This book covers the different phases Mexican crime fiction has evolved through in the past eighty years: classical detective fiction (1940-1960s), g�nero negro (1970s), neopolicial (1980-2000), narconarrative (1990s to the present), and post-neopolicial (2000 to the present). The first half of the book offers an overview of the development of crime fiction in the United States, how it was adopted by Mexican writers in the 1940s, and the changes it went through in its various phases. Writers studied include, among others, Paco Ignacio Taibo II, Rafael Ram�rez Heredia, and Juan Hern�ndez Luna. In addition, the author of this book coins a new term, post-neopolicial, to describe the most current form of crime fiction in the twenty-first century as exemplified in a corpus of novels that depict the realities of contemporary Mexico. The second half of the book focuses on the evolution of crime fiction by Mexican women writers from the 1940s to the present: from the classic detective formula to contemporary realistic narratives protagonized by subversive female characters in the works of Mar�a Elvira Berm�dez, Margos de Villanueva, Rosa Margot Ochoa, Ana Mar�a Maqueo, Carmen Boullosa, Myriam Laurini, Susana Pagano, Liliana Blum, Cristina Rivera Garza, Ana Ivonne Reyes Chiquete, Orfa Alarc�n, Mal� Huacuja del Toro, and others. Del policial al post-neopolicial: La est�tica del crimen en la narrativa mexicana, 1940-2020 es un estudio comprensivo de la narrativa criminal mexicana desde una perspectiva cultural, de g�nero, social, pol�tica y literaria. Este libro abarca las diferentes facetas de la evoluci�n de la narrativa criminal mexicana durante los �ltimos ochenta a�os: el policial cl�sico (1940-1960s), el g�nero negro (1970s), el neopolicial (1980-2000), la narconarrativa (1990s-presente), y el post-neopolicial (2000-presente). La primera secci�n del libro ofrece una vista panor�mica del inicio y evoluci�n de la narrativa criminal en los Estados Unidos, su adopci�n por los escritores mexicanos en los a�os 1940s y los sucesivos cambios por los cuales el g�nero ha atravesado durante sus diferentes facetas. Entre los escritores que se analizan en detalle en esta secci�n se encuentran Paco Ignacio Tabo II, Rafael Ram�rez Hereda y Juan Hern�ndez Luna. Cabe destacar que la autora de este libro ha acu�ado un t�rmino nuevo, el post-neopolicial, para describir las formas m�s vigentes de la narrativa criminal mexicana del siglo veintiuno, ejemplificada en un corpus de novelas que retratan las realidades contempor�neas. La segunda mitad del libro se enfoca en la evoluci�n de la narrativa criminal escrita por mujeres desde 1940 hasta el tiempo presente: de la f�rmula cl�sica a las narrativas realistas contempor�neas protagonizadas por personajes femeninos subversivos en las obras de Mar�a Elvira Berm�dez, Margos de Villanueva, Rosa Margot Ochoa, Ana Mar�a Maqueo, Carmen Boullosa, Myriam Laurini, Susana Pagano, Liliana Blum, Cristina Rivera Garza, Ana Ivonne Reyes Chiquete, Orfa Alarc�n, Mal� Huacuja del Toro y otras.
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Add this copy of Del policial clásico al post-neopolicial: La estética to cart. $107.35, new condition, Sold by Ingram Customer Returns Center rated 5.0 out of 5 stars, ships from NV, USA, published 2025 by Purdue University Press.
